quinta-feira, 26 de janeiro de 2012
Versões digitais
Peço que enviem a versão digital (em formato PDF) da proposta 6 e respectiva memória descritiva (com o mapa mental) por email.
quarta-feira, 25 de janeiro de 2012
Notificação
Peço que enviem a versão digital (em formato PDF) da proposta 5 para o meu email.
Bom trabalho,
Pedro Cardoso.
terça-feira, 24 de janeiro de 2012
DC Comics Logo
Yesterday, DC Comics officially unveiled its new identity, after the whole internet (including us) stole its thunder at the start of the week when we all judged its new branding effort based on a single, black-and-white rendition of their new logo. Now it’s an uphill battle to get people on board with what is actually a fairly good looking and flexible identity designed by Landor.http://www.underconsideration.com/brandnew/archives/follow-up_dc_comics.php
Open source typography
If you’ve ever gone looking for legitimately free fonts, you’ve probably found that there are a lot of really bad ones. But there’s also a lot of discussion out there about “open source fonts.”http://magazine.redhat.com/2007/12/13/open-source-fonts/
The league of movable type
There are people who design typefaces for a living, and we want them to make money off of something that they do well. This revolution is not a movement against type foundries and type designers; it’s quite the opposite. The kind of revolution we want is a change in the way people think about doing business.http://www.theleagueofmoveabletype.com/
Open Font Library
The mission of the Open Font Library is to promote your freedoms as it relates to the use of type. All of the fonts that appear on this site come with the freedom to use, study, share and remix them.http://openfontlibrary.org/
Atendimento
Conforme divulgado em aula, estarei disponível para atendimento hoje à tarde até às 18:00. Sala 303, Pav Carlos Ramos.
Pedro Cardoso.
Pedro Cardoso.
segunda-feira, 23 de janeiro de 2012
P05: Horário de Apresentações
Os discentes deverão estar devidamente preparados e agir com antecipação a fim de agilizar e respeitar o cumprimento do horário abaixo indicado. A respectiva aula (24/01) decorrerá na sala 32, no pav. sul, relembrando-se que a presença de todos os discentes ao longo da sessão é obrigatória. A sessão terá início às 8:30 AM para que possam ser efectuados os devidos preparativos.
A duração das apresentações não deverá ultrapassar os 8 minutos (+ 2 minutos de tolerância).
8:45 - Grupo 1
André Furtado Resendes
Manuel António Saraiva Barbosa de Melo
Pedro Brandão de Vasconcelos Aguiar Pinto
9:00 - Grupo 2
Eliana Carla Sousa Pires
Joana Rita de Sousa e Valadão
Maria João Seixas Silva Santos
9:15 - Grupo 3
9:30 - Grupo 4
Joana Monteiro Silva Carvalho
Luís Miguel Ferreira Batalha
David Abel Rodrigues
9:45 - Grupo 5
Joana Manuel Fachana Cardoso Moreira da Costa
Mariana Fonseca André da Silva
Sofia Couto Carvalho Peres Correia
Maria Teresa Machado de Almeida
10:00 - Grupo 6
10:15 - Grupo 7
Laura Ferrari Rodrigues de Pina
Maria Carlos Azevedo Silva Cardeiro
Maria Miguel Azevedo Silva Cardeiro
Mariana Jorge Correia Magalhães da Mota
-----------------------------------
10:30 - Intervalo
-----------------------------------
11:00 - Grupo 8
Catarina de Barros Lencastre
Francisca Trevisan Silveira de Sousa Bulhosa
Mariana Teixeira Pinto da Silva Cardoso
Rafaela Duarte Pinto de Abreu
11:15 - Grupo 9
11:30 - Grupo 10
Mafalda Mendes Ribeiro Mariares Almeida
Ana Catarina Ferreira Torres
Elodie da Silva Mota
11:45 - Grupo 11
Helena da Costa Morais Soares
Jéssica Félix Teixeira
Mariana Owen Pinto Ribeiro
Tânia Raquel Oliveira Vieira da Silva
12:00 - Grupo 12
Cláudia Ochôa de Spínola Catanho Castro
Diana Margarida Coimbra e Marcelino
Rita Santos Mendes
12:15 - Grupo 13
A duração das apresentações não deverá ultrapassar os 8 minutos (+ 2 minutos de tolerância).
8:45 - Grupo 1
André Furtado Resendes
Manuel António Saraiva Barbosa de Melo
Pedro Brandão de Vasconcelos Aguiar Pinto
9:00 - Grupo 2
Eliana Carla Sousa Pires
Joana Rita de Sousa e Valadão
Maria João Seixas Silva Santos
9:15 - Grupo 3
9:30 - Grupo 4
Joana Monteiro Silva Carvalho
Luís Miguel Ferreira Batalha
David Abel Rodrigues
9:45 - Grupo 5
Joana Manuel Fachana Cardoso Moreira da Costa
Mariana Fonseca André da Silva
Sofia Couto Carvalho Peres Correia
Maria Teresa Machado de Almeida
10:00 - Grupo 6
10:15 - Grupo 7
Laura Ferrari Rodrigues de Pina
Maria Carlos Azevedo Silva Cardeiro
Maria Miguel Azevedo Silva Cardeiro
Mariana Jorge Correia Magalhães da Mota
-----------------------------------
10:30 - Intervalo
-----------------------------------
11:00 - Grupo 8
Catarina de Barros Lencastre
Francisca Trevisan Silveira de Sousa Bulhosa
Mariana Teixeira Pinto da Silva Cardoso
Rafaela Duarte Pinto de Abreu
11:15 - Grupo 9
11:30 - Grupo 10
Mafalda Mendes Ribeiro Mariares Almeida
Ana Catarina Ferreira Torres
Elodie da Silva Mota
11:45 - Grupo 11
Helena da Costa Morais Soares
Jéssica Félix Teixeira
Mariana Owen Pinto Ribeiro
Tânia Raquel Oliveira Vieira da Silva
12:00 - Grupo 12
Cláudia Ochôa de Spínola Catanho Castro
Diana Margarida Coimbra e Marcelino
Rita Santos Mendes
12:15 - Grupo 13
quarta-feira, 18 de janeiro de 2012
Unevolved, reversed, and 8-bit brands
Unevolving a logo to just a series of coloured circles, how many can still be recognised? Logo and brands that have strong and unique colours, as well as strong positional aspects, are usually recognisable when Unenvolved to just circles.http://imjustcreative.com/unevolvedbrands/
http://www.flickr.com/photos/grahamsblog/sets/72157625155090078/
A Brand Reversion is a brand logo that has undertaken a creative change based on the visual style of another brand logo: Brand identities with a split personality
http://www.imjustcreative.co.uk/brandreversioning/
http://www.flickr.com/photos/grahamsblog/sets/72157626620633288/
http://www.flickr.com/photos/grahamsblog/sets/72157626659260240/
quinta-feira, 12 de janeiro de 2012
Logorama
Logorama from Human Music & Sound Design on Vimeo.
quarta-feira, 11 de janeiro de 2012
Penguim
“It started with the simple logo and name, suggested, allegedly, by a typist who was earwigging the board meeting. Allen had already hit upon the idea of an animal logo, inspired by the template offered by the contemporary publishing house The Albatross Library. “It was the obvious answer, a stroke of genius,” said Penguin’s original designer, Edward Young. “I went straight off to the zoo to spend the rest of the day drawing penguins in every pose.” The clear logo was matched with the archetypal modern, but not too scarily modern, typeface, Gill Sans, and the now classic three-band cover, with colours related to the subject: orange for fiction, dark blue for biography, etc.”
At http://www.logodesignlove.com/penguin-logo
At http://dustyburrito.blogspot.com/2009/12/penguin-group-logos.html
At http://www.flickr.com/photos/32610318@N06/sets/72157621950920167/detail/
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